Can a despicable character make a good protagonist?
Jaded, bloated, resting on his laurels, consuming alcohol, food and women in excess, former Nobel Prize winning physicist Michael Beard now makes a living by plying the conference circuit and lending his name for the boards of different scientific organizations, even though he hasn't done any significant work in years.
That all changes when, in typical McEwan style, a circumstantial incident sets into motion an intricate chain of events that transforms our antihero into a champion for the cause of global warming… not that he becomes any more sympathetic on the way.
The narrative barrels along with wry observation, evocative description, yuk yuk humor, and a stern warning for humanity about what we have become and how we are treating our planet (and each other). If the main character had been more likeable, the book would have been preachy and lame. But since we can distance ourselves from the appalling Michael Beard, he serves as a marvellous vehicle to take us through this examination of bloated consumer society in denial about the consequences of its actions: Michael Beard represents the worst of humanity and he is pointing the finger right back at us.
Book Club Facilitating Notes:
1. My review
2. Ian McEwan biography
3. Solar Plot summary
4. A couple of other reviews.
5. Discussion Questions
6. The book's ending and the change McEwan made following the Copenhagen conference.
7. Reading Guide discussion questions
2. Biography
Ian McEwan was born on 21 June 1948 in Aldershot, England. He studied at the University of Sussex, where he received a BA degree in English Literature in 1970. He received his MA degree in English Literature at the University of East Anglia.
McEwan's works have earned him worldwide critical acclaim. He won the Somerset Maugham Award in 1976 for his first collection of short stories First Love, Last Rites; the Whitbread Novel Award (1987) and the Prix Fémina Etranger (1993) for The Child in Time; and Germany's Shakespeare Prize in 1999. He has been shortlisted for the Man Booker Prize for Fiction numerous times, winning the award for Amsterdam in 1998. His novel Atonement received the WH Smith Literary Award (2002), National Book Critics' Circle Fiction Award (2003), Los Angeles Times Prize for Fiction (2003), and the Santiago Prize for the European Novel (2004). He was awarded a CBE in 2000. In 2006, he won the James Tait Black Memorial Prize for his novel Saturday, and his novel On Chesil Beach was named Galaxy Book of the Year at the 2008 British Book Awards. McEwan has been named the Reader's Digest Author of the Year for 2008, the 2010 Peggy V. Helmerich Distinguished Author Award, and in 2011 was awarded the Jerusalem Prize.
McEwan lives in London. His most recent novel is Solar.
From Ian McEwan's website: http://www.ianmcewan.com/
The website contains considerable information by and about Ian McEwan, who has apparently been the subjects of an impressive number of articles, reviews, and studies.
Mr. McEwan spent his childhood on army bases, mostly in Libya, where his father, a career officer, was posted. He began writing fiction while getting a masters' degree in English literature at England's University of East Anglia, and published his first collection of short stories in 1975. He became known internationally for his 1998 novel "Amsterdam," about a composer and a newspaper editor, which won the Man Booker Prize. He lives in a town house in London's Fitzroy Square with his second wife, journalist Annalena McAfee (the pair met when she interviewed him for the Financial Times), and has two sons from his previous marriage who are in their 20s.
Mr. McEwan belongs to a literary cadre that includes his close friends Martin Amis, Salman Rushdie and Christopher Hitchens. Members of the group convene for occasional dinners (they've graduated from a kebab house where they gathered in the 1970s and '80s to a French restaurant). "He's a tremendously funny man, but apart from in 'Amsterdam,' he's kept it out of his fiction as a whole," Mr. Amis says. "In 'Solar' he lets it free."
From: http://online.wsj.com/article/SB10001424052748704117304575137993028761062.html
3. Plot summary
Solar approaches the largest and most important of themes—global warming—through the very particular lens of Michael Beard, a disheveled physicist floundering in the aftermath of a career that had brought him the Nobel Prize many years before.
As the novel begins, Beard's fifth marriage is unraveling. But this time, in a reversal of roles, it is because his wife is having an affair. Infidelities are Beard's stock-in-trade, but being cuckolded is a new and unsettling experience for him, and it seems part of larger downward trend in his life. He still speaks at conferences, lends his name to scientific institutions, and leads a government program devoted to developing clean energy. But he does all these things in a halfhearted way and is largely indifferent to the problem of global warming. That all changes when Aldous—an earnest postdoc who is passionate about both climate change and Beard's wife—enters the picture. After a freak accident, Beard is left with Aldous's ingenious plans for creating solar energy by imitating the process of photosynthesis. He sees a chance to reestablish his prominence as a physicist and save the world while he's at it.
http://www.bookbrowse.com/reading_guides/detail/index.cfm?book_number=2430
4. A couple of reviews and an interview
"What Climate Scientists Think of Ian McEwan's Solar Book"
Climate scientist (and consultant on McEwan's book) Stefan Rahmstorf writes a plaintively earnest review that addresses the use of humor to address a serious subject, science culture vs. social constructivists, and commends the accuracy of the science that McEwan presents.
http://www.guardian.co.uk/environment/2010/may/05/climate-scientists-ian-mcewan-solar
"Solar by Ian McEwan. Ian McEwan excels at climate science but his one-dimensional protagonist makes you shudder"
Jason Crowley's bitingly funny review reviles Solar's main character Michael Beard, and compares the book a several of McEwan's previous novels.
http://www.guardian.co.uk/books/2010/mar/14/solar-ian-mcewan
"Can Climate Change Be Funny?"
In Alexandra Alter's 25 March 2010 interview in the Wall Street Journal, McEwan talks about the difficulties in writing a book about global warming that doesn't sound preachy, his personal experience with media controversy, popular and literary fiction, and the art of being a writer. http://online.wsj.com/article/SB10001424052748704117304575137993028761062.html
5. Discussion Questions
What is your understanding of global warming: fact or fallacy?
Review the speech made to pension fund managers. Kindle Location 2107.
Ian McEwan's books often hinge on single, opportunistic moments? What is the moment in this book and why does it work? How much of a stretch of the imagination is it?
How does Beard end up championing the cause of global warming?
Could this novel have worked with a more sympathetic main character?
What are Beard's character flaws?
What does Beard represent in terms of contemporary society?
Does he change over the course of the novel?
What do you suppose climate scientists think about Solar?
Michael Beard sparks controversy with his comments about differences in male and female brains. Kindle Location 1856 and onward.
What do you think about social constructivism?
(McEwan has also been the target of media umbrage for making controversial statements about Islam.)
6. Summary of the book's ending
Beard is still ignoring the melanoma on his hand
Jock Braby from the center is suing over the patents and theft of Aldous's work.
Aldous's father bringing charges of theft and fraud.
(Beard sees Tarpin getting into Lawyer Barnard's car)
While at dinner Beard gets a call from Toby: Tarpin has smashed the panels
Toby Hammer is suing to protect himself from Beard's debts.
Melissa and Darlene arrive.
The Copenhagen Summit
2009 United Nations Climate Change Conference
The Copenhagen Accord was drafted by the US, China, India, Brazil and South Africa on December 18, and judged a "meaningful agreement" by the United States government. It was "taken note of", but not "adopted", in a debate of all the participating countries the next day, and it was not passed unanimously. The document recognised that climate change is one of the greatest challenges of the present day and that actions should be taken to keep any temperature increases to below 2°C. The document is not legally binding and does not contain any legally binding commitments for reducing CO2 emissions.
McEwan told the Guardian he watched the outcome of the Copenhagen summit in December "very closely and with some despair" and then went back to his novel, Solar, to rewrite a section a few pages from the end.
The end of the book is set in summer 2009, and McEwan introduced a scene in which Michael Beard, the chief protaganist and a Nobel-prize winning physicist, receives an email that invites him to address a meeting of foreign ministers at the coming summit. "I just slipped something in to reflect the spirit of sadness," he said. "Everything has collapsed around him [Beard] and he knows that Copenhagen will be just the place for him. It is where he would be heading to add his confusion to everybody else's."
Had the summit produced a successful deal, as McEwan wanted, Beard and his failures would not have fitted in. "I would not have wanted my man anywhere near it," said the author. "I didn't want him there, believe me."
Guardian article
http://www.guardian.co.uk/environment/2010/mar/05/ian-mcewan-climate-copenhagen-solar
7. Reader's Guide Questions
1. Beard loves physics in part because he believes that it is "free of human taint" (p. 10). In what ways does the novel complicate this belief? In what sense is Beard's own work "tainted" by human entanglements?
2. The narrative structure of Solar is mostly chronological. What effects does McEwan achieve by occasionally departing from a straightforward chronological progression?
3. Beard claims he does not believe in the possibility of "profound inner change" (p. 77). Does he remain unchanged over the course of the novel?
4. How does McEwan manage to make Beard such a sympathetic character despite his many foibles? What are his most salient character flaws?
5. Why is Beard so attached to preserving what he calls his "unshareable core"? (p. 307). Why does he find it impossible to tell Melissa that he loves her? Why do his marriages keep falling apart?
6. In what ways is Solar a satirical novel? What are its main satirical targets? How, for example, do postmodernists come off in the book?
7. What are some of the funniest moments in Solar? How does McEwan create such brilliant comedic effects?
8. Look at the encounters between art and science in the novel, those occasions when Beard squares off with people from the humanities—novelists, folklorists, postmodern feminists, etc. Who gets the better of these confrontations? Is the book as a whole making a point through its depiction of these encounters?
9. What is the significance of the entropy in the boot room on board the ship that is holding the conference on climate change? What does this chaos and carelessness suggest about humanity's ability to stop global warming?
10. Beard has a remarkably clear conscience; he is largely untroubled by his affairs and deceits, his theft of Aldous's ideas, his framing of Tarpin, etc. Why is he so free of the guilt that might afflict most other men?
11. Several times during the course of the novel it appears that public infamy—born of journalists' insatiable desire for controversy and Beard's own willingness to step into it—will doom Beard's career. What enables him to emerge from these disasters relatively unscathed? Will he be as lucky getting out of the mess he's created at the very end of the book?
12. How surprising is the ending of the novel, particularly the final sentence? What is the swelling sensation that Beard feels in his heart as his daughter approaches him? What is likely to happen to Beard next?
13. How does the appendix containing the presentation speech for Beard's Nobel Prize alter the way Beard is finally viewed? Why would McEwan choose to attach this appendix to the body of the novel?
14.Solar is in many ways a picaresque and at times farcical novel, and yet it also engages a theme of major importance—global warming. What is the connection between personal and planetary catastrophe in the novel, between the meltdown of Beard's personal and professional life and the kind of greed, dishonesty, rationalization, and failure to face facts that has resulted in the climate crisis? What is the significance, in this context, of Beard's inability to moderate his eating habits and his sexual pursuits?
15. What does Solar contribute to our understanding of climate change?
http://www.bookbrowse.com/reading_guides/detail/index.cfm?book_number=2430
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